Harmonica Q&A | MP3 | Feedback | "Meet Your Picker" | Free Stuff | Back Issues Edly:
Music Theory
I've read
your book and have enjoyed it. I have a question
about song patterns. You list
the basic parts of songs such as verse, chorus, the
coda, introduction, phrases, etc. Then you describe
some different structures, i.e., ways in which
phrases are combined, such as AABA, ABBA, AABBCC,
etc. What's
confusing me is how these parts relate. Is the
structure found within a chorus or verse or does
the structure consist of verses and chorus? Or is
the answer both? Chris Howdy,
Neighbah! Glad you
enjoyed the book. Good question about song anatomy.
The quick answer is, "it depends." In
so-called jazz standards (show tunes, etc.), a
chorus typically consists of four phrases, AABA,
respectively. More often than not, the verses are
omitted, and in the case of many older songs, are
all but forgotten. In Celtic
music (jigs & reels, etc.) and other folk
forms, the letters generally refer to repetitions
of entire sections (each section usually consisting
of four phrases), and one typical form is AABB(CC),
although sometimes you find things like AAB. The
order of the phrases varies from song to
song. In
classical music, Rondo form is usually described as
ABACADAE, etc. In this case, the letters refer to
sections rather than phrases. Lastly, in
pop music, whatever the phrases make-up of the
verses and choruses, there's too much variation in
how verses and choruses come to codify exactly, but
a common technique is to delay the first chorus by
repeating the verse first: verse, verse, chorus,
verse, chorus, etc. Hope this
helps. With a bit
of practice, you'll be able to pick out all these
form anatomies by ear. Edly To get your
head keyed in the right direction, visit Edly's
website Beam
your music theory questions to us at
askedly@guitarsam.com
An Edly
Quickie What is a
ghost note and how do you play one? A "ghosted"
note is one that is played more gently than others,
often so gently that it's hard to tell exactly what
note it is. It's a very expressive
technique.
ISSN: 1529-0956
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